I'm Bringing the Pompadour Back

All my glorious plans of blogging more frequently ended in sleeping instead. Hey, it was a looooooong tech.

The show looks BEAUTIFUL, and we've settled into our run. We were talking backstage last night about how NINE is a really fun show to run, and actually less fun to rehearse. Rehearsals can often be the most exciting part of the process - let's try this, okay, now this, what if I do THIS instead - but NINE is a bit of a beast. It's difficult to get a firm grasp on, and difficult to tell the story well (I know from having seen it several times before). Anyway, now that we're open, we've all just kind of relaxed and started to have fun. Below is a photo of me in full Stephanie Necrophorus regalia, singing about why I loathe our leading man:


I look ridiculous walking about the streets of Boston with poofy hair, but I got over that really quickly. If anything, most people are a little deferential when I have the pompadour happening, I suppose because it makes me look really intense. Yep. I frighten people. This is what I have discovered.

Okay, people, PIMP YOUR FRIENDS time! My lovely marvelous wonderful BATS are all involved in this amazing new project called #serialsattheflea. Late night episodic theatre. I'm grumpy about not being able to see them because I'm in Boston, so I'm trying to send everyone else to see them so that I can live vicariously, stage-mom style. Basically, there are five plays, and every week, the audience votes for what they want to see the next installment of. Only three make it. They'll return the next week with the next "episode" of their play, if you will, and the other two teams have to completely regroup and devise an entirely new premise for the following week. I freaking love The Flea. Two of the Bats, Stephen Stout & Dominic Spillaine, are the evil geniuses behind this whole thing. Go!

With regards to BE CREATIVE EVERY DAY, I have actually been succeeding, and not just because I'm in a run. I've been doing a lot of writing, as well as working on new material for a class I'll be taking soon. It's interesting challenging yourself to something like this, but not being a visual artist - I know I have something to show for it, but I can't just take a photograph of it and post it.

However, I CAN post videos, and I have done so for A MARGINALLY CHRISTMAS CABARET! There are four of them, and they all came out really well - my friend Alesia's brother David Lawson and a couple of his friends did all the video and editing for us.
Here is Colored Lights, from THE RINK. I call it the Liza Minnelli Special.
Next, we have River in the Rain, from BIG RIVER, featuring my marvelous brother Aaron! A few of his improv friends have watched and been impressed, as he only really sings when I force him to.
Then, there's the ridiculous Diamonds Are Forever.
And finally, the video that has unsurprisingly turned out to be everyone's favorite, I Will Never Leave You, from SIDE SHOW, featuring my friend Hernando Umana. He was my Riff Raff in ROCKY HORROR, and he sings like a beautiful woman. Seriously. It's actually not my favorite video for how I sound, but it's so preposterous that I can't help loving it.

Snow Day

During the snopocalyspe of December 2010, I spent two and a half days sitting in Denver International Airport, attempting to get to Boston by way of Newark. Today's snowsanity is a lot easier for me, seeing as the T is running, if slowly. I'm gonna admit it - I'm sitting atop my cozy bed in Brookline, wearing pajamas at 2pm. I slept in, watched the two-part Season 5 Finale of MURDER, SHE WROTE, and had a chard omelet with waffles. I was going to attempt to get things done outside of the house today, but quite sensibly decided that, if I had to brave the snow later to get to rehearsal, I might as well not deal with it for the rest of the day. The MFA will still be there later this week!

We began working through Act One last night, and let me tell you - this show is a massive BEAST! I mean that in the best possible sense - simply that there is SO MUCH to it, for absolutely everyone, from Guido on down. We're all pretty much on stage the entire time, and are all very involved in just about every number, so tracking yourself ("tracking" is the term used for where you are at any particular moment in a show. It's not just blocking, it's "Enter downstage left, but hang by the door till Actor A crosses, then be sure to shut it and turn the handle, because the door wont' close otherwise," it's what costume pieces you need to underdress in order to make a quick change in time, it's any props or set pieces you might be responsible for - basically anything that someone who was coming in to replace or understudy you would need to know in order to perform your "track" in a show) becomes difficult. It's gonna be great, we're just in the throes of the messiest stage of rehearsal (tech is a totally different kind of messy), which is exciting. So interesting to be part of a large-cast musical that is truly ensemble based.


On a different note, I just discovered and joined the "Creative Every Day" challenge. I'm thinking of trying to do weekly check-ins with it, and also trying to see how I can incorporate my blog into the creativity I already use every day (in rehearsal, in class, etc). January's (optional) theme is "Cosmos," which I think I'll play with a bit, once I figure out how best to bring myself to this challenge. I also began a Photoblog for 2011. This project is not an attempt to take gorgeous photos, but to truly blog about my days - the images, the experiences, the minutia that makes up a person's day to day life - through photos. It's been fun thus far, seeing people's responses, and challenging myself to find different types of things to photograph.

I am extremely cold right now, so I think I'm going to jump in a (hopefully, hopefully) ridiculously hot shower, then read some MOBY DICK, review my blocking and choreography, and head into rehearsal. I think it's also time to bust out my epic winter hat. I like to think of it as Doctor Zhivago meets Trudy Campbell.

Beauty in Black

A quickie post to exclaim that my NINE castmates are GORGEOUS! If you don't believe me, take a look for yourself!



If you want to buy tickets, click here for more information! Cast bios are also up, so feel free to stalk any and all of these beautiful women. Oh, and Tim.

I'm not very good at summing up with a grand, sweeping statement

I did it last year, and I'll do it again! A summing up of my year in the way that most makes sense to me - in shows! I'm including whatever workshops and readings I remember as well.

2010
Let Us Now Praise Famous Men (workshop)
Dash Dexter (reading at MTC)
Don't Tell Mama's Cabaret
What Would Woody Do? (reading at The Flea with Tony Shalhoub)
A Tipsy Cabaret (at The Sonnet Theatre/The Producer's Club)
Stop the World - I Want to Get Off (with Musicals Tonight!)
Romeo & Hamlet (with GayfestNYC at The June Havoc/Abingdon)
Una, La Whore Del Mundo (reading at The Flea)
Office Hours (reading at The Flea with AR Gurney)
Scam (reading at Random House)
Unlawful Gatherings (at TAI, with my Sunday Playtime crew)
As Bees in Honey Drown (with Twin Tiers Theater Festival)
Boeing Boeing (with Twin Tiers)
Into the Woods (with Twin Tiers)
The Rocky Horror Show (with ReVision Theatre)
Scam (reading at New York Theatre Workshop)
Looking at Christmas (dialect coach - The Flea)
All Our Best for the Holidays (with Cape Rep)
A Marginally Christmas Cabaret (at the Royal Theatre/The Producer's Club)

And, as I began rehearsals for it in 2010...
Nine (with SpeakEasy Stage)

I'm missing a couple of readings in there from February. Can't remember project titles. Old age. It comes so quickly.

Wow, looking back on that, I was really fortunate this year. I met some crazy awesome people, and got to play two bucket list roles within the space of a month (Gretchen in BOEING and The Baker's Wife in WOODS).

Dialects I was hired to use in performance this year: Russian (2x), RP, Cockney, German, and Faux-Russian (hello, Magenta).

Favorite piece of theatre I saw is probably JERUSALEM in London with Mark Rylance - and it's coming to Broadway, folks!!! I also loved BLOODY BLOODY ANDREW JACKSON at The Public and LA CAGE AUX FOLLES on the BroadWAY.

Other marvelousness with regards to my friends includes my brother performing regularly and hilariously with his Harold team Sandino at UCB, Hannah performing at The National Theatre in London with THE WHITE GUARD, Nick Adams booking a big ol' Broadway lead in PRISCILLA, QUEEN OF THE DESERT, and Nikka Lanzarone making her Broadway debut in WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN!

Ten points to anyone who knows what the title of this post references.

I'm starting the new year by seeing a show at SpeakEasy, then coming home to do some work on NINE on my own. We've worked through all of the music in the past few days, and have our first read through/sing through tomorrow! Huzzah! Onward.